New poster for 'Fate of the Furious'

"The Fate of the Furious" Review

by

Since when did “The Fast and the Furious” turn into “Mission: Impossible”? This 8th installment in the long-running car racing franchise - “The Fate of the Furious” - veers too far from its lane, making it difficult to qualify as a legit “F & F” film.

Sure, there are plenty of insane races and chases - involving sports cars, SUVs, tanks and even a submarine. But the plot centers around a new villain, Cipher (played by Charlize Theron), who has more screen time than any of the regular gang. She’s scouring the globe in her private plane looking to round-up some nuclear missiles and take over the world. Sounds more like a Tom Cruise script - and not the formula of hot rods, hot bods and relationship values that’s been the backbone of this franchise.

“The Fate of the Furious” also falls into the trap of other movie sequels by breaking-up its core of characters that fans love. Not a smart move. Cipher locates Dom (Vin Diesel) in Cuba and quickly, and mysteriously, convinces him to join her on her evil mission. The rest of the gang, including Dom’s now wife Letty (Michelle Rodriguez) and Hobbs (Dwayne the “I’m in every single movie” Johnson) - are stunned that Dom has turned his back on his “family”, but they also have to do what’s right and track him down to try to save the day.

Charlize Theron and Vin Diesel in "The Fate of the Furious"
Charlize Theron and Vin Diesel in "The Fate of the Furious"

This is “Straight Outta Compton” director F. Gary Gray’s first “F&F” effort. He definitely knows how to stage action scenes. An amazing sequence in New York City is the best of the lot. There’s also a good opening race through the streets of Havana and a climatic escapade in very cold Russia.

But like “Compton”, “Fate” suffers from issues with story and length (it’s 2 hours and 15 minutes and feels it). I wish the structure wasn’t so stagy - we know exactly when the all the action scenes are coming and know they’re going to be extreme, which deflates any opportunity for anticipation or surprise. Saving graces come in the form of Jason Statham, who return as Deckard Shaw, and Helen Mirren who debuts in the series in a small but memorable role.

“Fate” certainly has its high points, but it feels way too conventional and steers in directions it simply shouldn’t have. Before the next model is unveiled (two more installments are in development), this series need a major rebuild.

Jackson Murphy: Emmy Award-winning Film Critic / Entertainment Reporter. Broadcast Film Critics Assoc. (@CriticsChoice), SAG-AFTRA (@SAGAwards)