"The Nice Guys" Review
"The Nice Guys" captures the rich flavor of the 70s, thanks to director Shane Black ("Iron Man 3"). He assembles a likable leading pair in Russell Crowe and Ryan Gosling, who play incompetent private eyes Jackson Healy and Holland March. These longtime detectives partner-up to investigate the disappearance of a young girl involved in the crime and porno scenes of 1977 Hollywood. The script has its shares of surprises, is filled with energy and easy to follow.
But here's the problem - "The Nice Guys" juggles way too many balls. It never feels satisfied with its current tone, so Black constantly shifts the focus between quirky, goofy humor, noisy blasts of stylized violence, minors in peril and serious moments of in-your-face murder. Meanwhile, hovering-over all of this, is Healy and March's relationship. Make no mistake, this is a buddy comedy - that also tries to be so much more.
The continuous attempts at laughs (including a dream sequence that includes an appearance by a giant bee) really bugged me, constantly taking me out of the moment, with the jarring dramatic elements, as a result, lacking in impact. If "The Nice Guys" had been played-out as a drama, infused with elements of disco flare, cool clothes, a hip soundtrack and subtle touches of humor it would've been much more successful.
March's 13-year-old daughter, Holly, is played by Australia's Angourie Rice in a star-making role. She shares a lot of screen time with veterans Crowe and Gosling and holds her own. Kim Basinger's character is pivotal to the plot, though she only appears in a couple of scenes.
"The Nice Guys" is a nice change of pace from what we're recently used to in the genre ("Ride Along","The Other Guys", "The Heat") - and is more of a throwback to the effective cop buddy comedies made back in the 80s ("Midnight Run", "48 Hours", "Beverly Hills Cop", "Lethal Weapon"). But the mismatch of content never allows it to reaches its full potential. These Nice Guys don't finish last, but they don't win, either.