back to page 1
'Lionheart' review
review

'Lionheart' review

The Genevieve Nnaji-directed ‘Lionheart’ opens with the intersection of violence and the mundane I hope a Nigerian filmmaker tackles one day. The eponymous transport company, based in Enugu, is overrun by men demanding payment for helping fill seats in their buses. They troop in with a sense of entitlement roughing up workers as onlookers stand helpless.

'The Godfather' (1972) retrospective
review

'The Godfather' (1972) retrospective

In a previous life, before what we could call, for want of a better word, my cinematic rebirth (or my Scorsese phase), I associated 'The Godfather' with bloodied silk sheets, the grisly image of a decapitated horse’s head and the visceral shrieks of a grown man that put Jamie Lee Curtis to shame.

'Leave No Trace' review
review

'Leave No Trace' review

'Leave No Trace' is one of those films I will never truly appreciate till I have a kid. The world of cinema has seen countless portrayals heartfelt parent-child relationships and I am still at the phase where siding with the children in the equation comes more naturally. But it’s clear writer/director Debra Granik is telling an incredibly complex story with a certain understated precision that really caught me off guard.

'Widows' review
review

'Widows' review

Steve McQueen’s surprises with his latest feature 'Widows'. I was ready to bet the farm and more that his venture into genre filmmaking would be nothing short of brilliant – and it is. But the surprise for me lay in how he goes about crafting a caper that is aware it is subverting rules of the genre on a few layers.

'Hereditary' Review
review

'Hereditary' Review

When 'Hereditary' hit its peak in an unmissable moment that petrifies the soul, I was thrust through a torrid gateway to a suffocating dimension of childhood regret and trauma. If you are anything like me, chances are you were seized by palpitations and fits as an unforgiving bout PTSD took hold.

'Venom' review
review

'Venom' review

There’s a scene in 'Venom' in which Tom Hardy’s Eddie Brock, a hapless investigative reporter, enters a high-end restaurant looking for his ex-girlfriend, Anne (Michelle Williams). He’s recently bonded with the titular symbiote after some espionage gone wrong and he thinks he is going insane.

'First Reformed' Review
review

'First Reformed' Review

There are Christian films, tons of them actually; largely dogmatic, largely cosmetic. Then there are films about Christianity; films that probe at the faith and calling many of us, including myself, hold dear with a confluence of cinematic dexterity and earnest spirituality. Paul Schrader’s powerful ‘First Reformed’ is firmly in the latter; unrelenting its exploration of the faith’s failings examined through the journey of a character who treads a tortured suffocating path of enlightenment.

'A Simple Favor' Review
review

'A Simple Favor' Review

Watching Blake Lively in the Paul Feig directed ‘A Simple Favor’, she finally came across as the woman who calls Ryan Reynolds her better half. She plays this snide martini-toting fashionista PR exec in this enjoyable "black comedy" which thrives on strong central performances but befuddles with its willfully schizophrenic tone, in this adaptation of a Darcey Bell novel.

next page